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This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in ‘The Balcony Movie’ is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today’s world.
Catherine Tate’s iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan’s present with her past where we finally find out what’s made her the cantankerous old bastard she is today.
It’s the ultimate buddy cop movie except for one thing: they’re not cops. When two struggling pals dress as police officers for a costume party, they become neighborhood sensations. But when these newly-minted “heroes” get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.
Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.
The owner of a bank (Miss Bitterman) wants to own the Muppet Theatre so she can build a nightclub over it. After she tricks Pepe into giving her the only copy of the contract between her father and the Muppets, she changes it so the Muppets have very little time to pay a debt they owe. Meanwhile, the Muppets are trying to put on a Christmas show. After the Muppets are confronted by Bitterman, they make a lot of sacrifices to save up so they can keep the Theatre.
If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
The world’s favorite dirtbike film series returns in 2016 with MOTO 8. Once again bringing the greatest riders in the game to the most epic locations, MOTO 8 gives viewers the most badass visual moto experience ever seen. From the biggest tracks in the world, to going 100+mph through the Australian outback, MOTO 8 continues the progression of filmmaking in the two-wheel world. It’s the roots of motocross, portrayed in the modern era: wide open throttles and massive jumps combined with helicopters and 4K cameras.
How do perfectly ordinary, normal people cope with the extraordinary challenge of an embarrassing, provocative, famous or unbelievable name? This documentary examines the phenomena of “strange names.”
The Samurai Cop is here to kick ass and chew bubblegum, and he’s already infringed on enough movies and cliches so he’s just going to stop with that introduction right there. Yes, the cop they call Samurai has travelled to Los Angeles from a faraway land they call San Diego. Because it would just make no sense to have the movie take place in San Diego, or to have the cop be from LA to start with. Or, y’know, Japan. Decapitations, explosions, poorly subbed in stunt doubles, mangled dialogue, prominent lion heads, and unfortunate banana hammocks abound in this extremely eighties-y nineties movie. Join Mike, Kevin, Bill, and Alfonso Rafael Federico Sebastian for Samurai Cop.
In Big Time Movie, the guys must tap their inner spy as their adventure finds them driving exotic cars and jumping out of helicopters, while trying to make it to their first world tour concert on time. Hot on their trail are evil henchmen named Maxwell, British secret agents and Swedish spies as well as billionaire businessman, Sir Atticus Moon who wants back his precious device code named: “The Beetle,” an anti-gravitational device with enormous power. Once they learn they’re carrying this precious cargo, the guys get pulled into a madcap mission throughout London, which threatens the onset of their world tour. With the help of teen spy Penny Lane, the guys set out to save Penny’s father MI6 Agent Simon Lane and stop Sir Atticus Moon’s plot to use “The Beetle” to gain world domination (Nickpress).
After a group of boy scouts are mysteriously killed by a wolf-like creature on Cadaverous Island, Walter Romero, whose best friend was among the killed, sets out to find exactly what happened. In order to reach the island, Walter teams up with Johnny Mason, neighborhood stoner, to smoke up Ashley Valinski, neighborhood hottie, and get her to take them out on her father’s boat. But soon after arriving on Cadaverous Island, a horde of zombies steals their boat, leaving them stranded, and the three are forced to team up with two cops, the mayor, and a team of botanists to either kill the monsters… or be killed themselves….. DUN-DUN-DUN!!!
They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a rock-star, and is back 15 years later for a weekend. Jean-Marie Poire describes with this movie the portrait of a generation with lots of humor served by excelent actors.
A medical team is dispatched to the patients on a helicopter to provide medical care in the field as soon as possible. One day, four young physicians are assigned to this latest medical system. The doctors experience traumatic medical situations, deal with personal ambitions, witness the fragility of life, and they grow personally and professionally.
The Last Prince of Atlantis is a beautiful fairy tale about love, an animated family movie. The dynamic intrigue, a bright and multidimensional shows keeps the audiences captivated. An old pearl-fisher Bltazar is forced to sell his boat to wealthy man Don Vincenzo. But this is not the worst part. Now Vincenzo wants to take his beautiful daughter Adrianna! The girl is against that, but for how much longer can she resist? Police and gangsters serve Vincenzo… But money and power are nothing when the real love comes around. The Last Prince Of Atlantis appears from the bottom of the sea, where he spent thousands of years in a stone sarcophagus. One day he sees Adrianna in the sea, strikes up looking for her and finds her…
The Fantastic Four is an unreleased low-budget feature film completed in 1994. Created to secure copyright to the property, the producers never intended it for release although the director, actors, and other participants were not informed of this fact. It was produced by low-budget specialist Roger Corman and Bernd Eichinger (who also produced another Fantastic Four movie in 2005).
The movie explores the tumultuous life of Bobby DeBarge, the former lead singer of 70’s R&B/Funk Band Switch, also the eldest sibling of the world-famous pop group DeBarge. Despite his success in music, the iconic falsetto found his life in peril as he struggled with fame and fortune while coping with the memories of his dysfunctional childhood.
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, the Vietnam vet snaps, runs for the hills and rat-a-tat-tats his way into the action-movie hall of fame. Hounded by a relentless sheriff, Rambo employs heavy-handed guerilla tactics to shake the cops off his tail.
She survived a brutal massacre, but lost her life. What happens to the final girl once the credits have rolled? Five years ago, a masked killer brutally murdered a group of friends. Since then, Camryn, the lone survivor, has tried to make sense of the homicidal events and struggled to reclaim her shattered life. Wracked with guilt and paranoia, can Camryn ever have a normal existence again or is she destined to cope alone forever? Part slasher movie, part character study, take a penetrating and intimate look at what happens to the remaining true victim of every horror movie.
This slasher movie follows a relentless killer who is out to avenge the death of a young girl who died after being bullied and teased by four of her classmates. Now high-school students, the guilt-ridden kids have kept their involvement a secret, but when they start being murdered, one by one, it’s clear that someone knows the truth. Also coping with the past are members of the dead girl’s family, most notably her prom-queen sister, Kim Hammond (Jamie Lee Curtis).
Set in the year 1999 during the last days of the old millennium, the movie tells the story of Lenny Nero, an ex-cop who now deals with data-discs containing recorded memories and emotions. One day he receives a disc which contains the memories of a murderer killing a prostitute. Lenny investigates and is pulled deeper and deeper in a whirl of blackmail, murder and rape. Will he survive and solve the case?
Yamakasi – Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.
Six different writers wrote a scene each of this romantic comedy featuring the marriage and turbulent relationship of Joseph and Sarah, with Joseph’s best friend Frank trying hard to cope with letting the love of his life marry his best friend. Featuring Quentin Tarantino in a cameo as Sid, a movie-bore party goer
A Tokyo businessman (Hiroshi Hada), transferred to L.A, molests a teenage girl on a train. It turns out that the girl is the daughter of a vice cop. But in one of those plot twists that can only occur in the movies, the cop is assigned to find the businessman’s own daughter who has been kidnapped and forced into a teen prostitution ring.
Celebrated European actor Sophie Bernard is in Montreal shooting a movie, and she’s taking the opportunity to visit her son Thomas in the hope of bridging the rift that’s grown between them. But Thomas has his own agenda for their time together; he intends to finally get some answers as to the identity of his father. Meanwhile, at Ville-Marie Hospital, paramedic Pierre struggles with PTSD, and though he has support in Marie, a nurse who keeps the overflowing emergency room running, it’s uncertain whether he’ll remain able to cope with the high intensity of his work. Each of these four characters is dealing with emotional damage — and on one dark Montreal night, their lives will all intersect in a fateful occurrence at Ville-Marie.
Todd grew up under the strange shadow of his older mentally challenged brother Shonzi. As kids, Shonzi forced Todd to make action movies. As adults he pressures him to share love life details, even showing Shonzi a sex tape he made with an old girlfriend to help him cope when family tragedy hits. When their dad suffers a heart attack, Shonzi (now 40, and still a virgin) moves in with Todd and his new girlfriend Lindsay. Shonzi wants desperately to be included in their relationship like old times. When Shonzi’s begging become threats to reveal secrets from their past, Todd must find the courage to be honest with Lindsay, even if it means the end of their relationship.
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike’s boss, Silak says it was the killer who killed Mike but Rollie knows it wasn’t. Obviously, Silak is involved with Mike’s death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it’s not just Silak they have to worry about.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
ZHU from China, as a huge fan of Hong Kong cinema, has always dream of become a cop like in the movies, who unfortunately failed the fitness exam in China’s Police Force selection because of asthma.
Isabelle Adjani and Gerard Depardieu star in director Jean-Paul Rappenau’s amusing farce set on the eve of World War II, which follows the intersecting lives of four Parisians as they cope with the impending invasion of their city by German forces. As the French government braces for impact, the lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.
In this star-studded movie featuring Olympian Gabby Douglas, Kelly Rutherford, and Cameron Mathison, Amy, a helicopter mom, will be forced to rethink her life when she takes a job at her daughter’s college and falls in love with one of the professors who works there.
This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke ‘Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.
Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.
Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.
The movie follows a 4-year old boy who is struggling to cope with the arrival of a little sister in the family until things turn magical. A mysterious garden in the backyard of the boy’s home becomes a gateway allowing the child to travel back in time and encounter his mother as a little girl and his great-grandfather as a young man. These fantasy-filled adventures allow the child to change his perspective and help him become the big brother he was meant to be.
Three petty thieves who the police believe to be major criminals are chased into a basement bar where they take five hostages including all the bar employees. The rest of the movie deals with the cops lurking outside the bar while the trio try to get hold of the situation inside.
The basic story of the movie revolves around P.K. Jayan aka ‘Vattu’ Jayan (played by Indrajith) and Roy Joseph aka Che Guevera Roy (played by Murali Gopy). Vattu Jayan is a corrupt cop who manages his daily necessities through bribed money and does not touch his salary for anything. Che Guevara Roy is an ex-communist comrade who now teaches in a school with his wife.
How did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960’s and 1970’s? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope – from New Jersey to California – this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.
